{"id":16719,"date":"2025-10-17T14:03:07","date_gmt":"2025-10-17T14:03:07","guid":{"rendered":"https:\/\/nationalgunowner.org\/index.php\/2025\/10\/17\/the-eight-best-booths-at-frieze-london-2025\/"},"modified":"2025-10-17T14:03:07","modified_gmt":"2025-10-17T14:03:07","slug":"the-eight-best-booths-at-frieze-london-2025","status":"publish","type":"post","link":"https:\/\/nationalgunowner.org\/index.php\/2025\/10\/17\/the-eight-best-booths-at-frieze-london-2025\/","title":{"rendered":"The Eight Best Booths at Frieze London 2025\u00a0"},"content":{"rendered":"<div>\n<h2 class=\"wp-block-observer-listicle__title h3\" id=\"echoes-in-the-present\">\n<p>\t\t\t\t\t\u201cEchoes in the Present\u201d<br \/>\n\t\t\t\t\t\t\t\t\t<button class=\"wp-block-observer-listicle__copy-button copy-to-clipboard\" aria-hidden=\"true\" data-tooltip-text=\"Copied to clipboard!\" data-clipboard-text=\"https:\/\/observer.com\/list\/the-eight-best-booths-at-frieze-london-2025\/#echoes-in-the-present\" aria-label=\"Copy link to '\u201cEchoes in the Present\u201d' to the clipboard\"><br \/>\n\t\t\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"22\" height=\"22\" viewbox=\"0 0 20 20\">\n\t\t\t\t\t\t<path d=\"M12.763 7.4a.79.79 0 0 1 .175.87.807.807 0 0 1-.64.485l-.107.007a.809.809 0 0 1-.571-.233 3.266 3.266 0 0 0-4.423-.138l-.147.139-4.52 4.458-.122.13c-1.108 1.235-1.066 3.199.128 4.378 1.239 1.223 3.332 1.223 4.571 0l2.523-2.49a.815.815 0 0 1 .788-.223.803.803 0 0 1 .58.572.791.791 0 0 1-.226.779l-2.523 2.49c-.867.856-2.013 1.314-3.177 1.37l-.25.006c-1.25 0-2.499-.459-3.428-1.376-1.8-1.776-1.857-4.74-.17-6.592l.17-.177L5.906 7.4a4.897 4.897 0 0 1 6.856 0Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t\t<path d=\"M18.606 1.376c1.804 1.78 1.857 4.753.159 6.604l-.168.171-4.504 4.45A4.867 4.867 0 0 1 10.665 14a4.866 4.866 0 0 1-3.428-1.4.79.79 0 0 1 0-1.127.816.816 0 0 1 1.142 0 3.267 3.267 0 0 0 4.422.137l.148-.138 4.514-4.457c1.239-1.221 1.239-3.289 0-4.511-1.192-1.177-3.178-1.22-4.43-.131l-.14.13-2.524 2.492a.814.814 0 0 1-.466.227l-.107.006-.106-.006a.807.807 0 0 1-.64-.486.79.79 0 0 1 .176-.87l2.532-2.499.16-.148c1.874-1.676 4.884-1.624 6.688.157Z\" fill=\"currentColor\"\/>\n\t\t\t\t\t<\/svg><br \/>\n\t\t\t\t<\/button><br \/>\n\t\t\t<\/h2>\n<p class=\"wp-block-observer-listicle__copy\">Not a booth per se, but a curated section of Frieze London showcasing Brazil and Africa\u2019s transatlantic and diasporic connections, \u201c<a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.frieze.com\/video\/echoes-present-frieze-london-2025\">Echoes in the Present<\/a>\u201d presents artists Bunmi Agusto (Tafeta), Serigne Mbaye Camara (Galerie Atiss Dakar), Diambe (Sim\u00f5es de Assis), M\u00e9linda Fourn and Naomi Lulendo (Selebe Yoon), Lilianne Kiame and <a href=\"https:\/\/observer.com\/person\/sandra-poulson\/\" title=\"Sandra Poulson\" class=\"company-link\">Sandra Poulson<\/a> (Jahmek Contemporary), <a href=\"https:\/\/observer.com\/person\/aline-motta\/\" title=\"Aline Motta\" class=\"company-link\">Aline Motta<\/a> (Mitre Galeria), Alberto Pitta (Nara Roesler) and Tad\u00e1sk\u00eda (Fortes D\u2019Aloia &amp; Gabriel). There\u2019s a heavy focus on entanglements and dialogue here through materials (wood, cardboard, bronze), and themes of loss, memory, as well as the contemporaneity of traditions. Brazilian Mitre Galeria, which won a distinction at Frieze New York in the spring, is presenting a stunning booth filled with matrilineal intensity, and it&#8217;s absolutely one not to miss.<\/p>\n<\/p><\/div>\n<p><script>\n\t!function(f,b,e,v,n,t,s)\n\t{if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n\t\tn.callMethod.apply(n,arguments):n.queue.push(arguments)};\n\t\tif(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n\t\tn.queue=[];t=b.createElement(e);t.async=!0;\n\t\tt.src=v;s=b.getElementsByTagName(e)[0];\n\t\ts.parentNode.insertBefore(t,s)}(window, document,'script',\n\t\t'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n\tfbq('init', '618909876214345');\n\tfbq('track', 'PageView');\n<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cEchoes in the Present\u201d Not a booth per se, but a curated section of Frieze London showcasing Brazil and Africa\u2019s transatlantic and diasporic connections, \u201cEchoes in the Present\u201d presents artists Bunmi Agusto (Tafeta), Serigne Mbaye Camara (Galerie Atiss Dakar), Diambe (Sim\u00f5es de Assis), M\u00e9linda Fourn and Naomi Lulendo (Selebe Yoon), Lilianne Kiame and Sandra Poulson [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[10],"tags":[],"class_list":{"0":"post-16719","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-usa-news"},"_links":{"self":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/16719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/comments?post=16719"}],"version-history":[{"count":0,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/16719\/revisions"}],"wp:attachment":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/media?parent=16719"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/categories?post=16719"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/tags?post=16719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}