{"id":20311,"date":"2026-01-16T23:51:46","date_gmt":"2026-01-16T23:51:46","guid":{"rendered":"https:\/\/nationalgunowner.org\/index.php\/2026\/01\/16\/collector-founded-fair-enzo-will-launch-during-los-angeles-art-week\/"},"modified":"2026-01-16T23:51:51","modified_gmt":"2026-01-16T23:51:51","slug":"collector-founded-fair-enzo-will-launch-during-los-angeles-art-week","status":"publish","type":"post","link":"https:\/\/nationalgunowner.org\/index.php\/2026\/01\/16\/collector-founded-fair-enzo-will-launch-during-los-angeles-art-week\/","title":{"rendered":"Collector-Founded Fair ENZO Will Launch During Los Angeles Art Week"},"content":{"rendered":"<div itemprop=\"articleBody\">\n<figure id=\"attachment_1611172\" aria-describedby=\"caption-attachment-1611172\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><figcaption id=\"caption-attachment-1611172\" class=\"wp-caption-text\">More than 10 galleries from New York\u2019s downtown scene will mount booths in the inaugural edition of ENZO. <span class=\"media-credit\">Courtesy of ENZO<\/span><\/figcaption><\/figure>\n<p>Roles in the art industry are becoming increasingly fluid, and sustaining the market\u2019s current scale will require more collaboration among its participants. As <a href=\"https:\/\/observer.com\/2026\/01\/future-of-art-fairs-art-basel-frieze-post-expansion\/\" data-lasso-id=\"2896239\">rising costs push many galleries to rethink their participation in art fairs<\/a>, one collector is stepping up to make fairs more accessible. Raj Parmar, founding director of the new boutique fair, <a href=\"https:\/\/observer.com\/company\/enzo\/\" title=\"ENZO\" class=\"company-link\">ENZO<\/a>, has scheduled the first edition for L.A. Art Week, and his fair is free not only for visitors but also for participating galleries.<\/p>\n<section class=\"wp-block-observer-newsletters observer-newsletters--in-content\">\n<\/section>\n<p>Running concurrently with <a href=\"https:\/\/observer.com\/company\/frieze\/\" title=\"Frieze\" class=\"company-link\">Frieze<\/a> Los Angeles, ENZO will take over a 1920s warehouse in Echo Park, just a short drive from The Broad, MOCA and Hauser &amp; Wirth. There, it will bring together 10 emerging galleries from New York\u2019s Chinatown and Lower East Side, in a bid to place East Coast voices in direct conversation with the L.A. art community at a moment when younger galleries are facing increasing financial pressure and many have opted to skip L.A. this year due to prohibitive costs.<\/p>\n<p>\u201cWe decided on a small, free art fair as a response to the current state of the art world. Emerging, mid-career and blue-chip artists and galleries are all having a tough time in today\u2019s art economy,\u201d Parmar told Observer. \u201cA smaller fair feels more intimate, casual and personal, and with three other fairs happening in L.A., we thought it would be meaningful to offer something different, particularly on the Eastside.\u201d<\/p>\n<p>The 5,000-square-foot warehouse, which has two main spaces and several communal areas, will host immersive installations, performance art, digital media, artist talks, site-specific projects and other discursive formats. ENZO, according to Parmar, was designed to remove the financial risk of participation and encourage more ambitious, experimental presentations.<\/p>\n<p>The roster of participating galleries includes a strong mix of established, research-driven spaces known for talent scouting\u2014such as <a href=\"https:\/\/observer.com\/person\/bank\/\" title=\"Bank\" class=\"company-link\">Bank<\/a>, <a href=\"https:\/\/observer.com\/person\/lubov\/\" title=\"Lubov\" class=\"company-link\">Lubov<\/a>, <a href=\"https:\/\/observer.com\/person\/magenta-plains\/\" title=\"Magenta Plains\" class=\"company-link\">Magenta Plains<\/a> and <a href=\"https:\/\/observer.com\/person\/margot-samel\/\" title=\"Margot Samel\" class=\"company-link\">Margot Samel<\/a>\u2014alongside galleries less commonly seen at art fairs, including <a href=\"https:\/\/observer.com\/person\/saras-worldwide\/\" title=\"Sara\u2019s Worldwide\" class=\"company-link\">Sara\u2019s Worldwide<\/a>, <a href=\"https:\/\/observer.com\/person\/silke-lindner\/\" title=\"Silke Lindner\" class=\"company-link\">Silke Lindner<\/a>, <a href=\"https:\/\/observer.com\/person\/wschod\/\" title=\"Wsch\u00f3d\" class=\"company-link\">Wsch\u00f3d<\/a> and <a href=\"https:\/\/observer.com\/person\/alyssa-davis\/\" title=\"Alyssa Davis\" class=\"company-link\">Alyssa Davis<\/a>.<\/p>\n<p>\u201cThe art world is remarkably small and fluid, extending beyond cities and national borders. The people you meet in New York often reappear in Paris or London during fair season,\u201d Parmar added. While Los Angeles and New York are arguably the two most influential geographies for contemporary art in the United States, he pointed out that not everyone can travel to the East Coast to experience New York City\u2019s downtown gallery scene firsthand. \u201cCreating an intimate fair on the Eastside offers Angelenos a rare opportunity to engage directly with a distinct New York art ecosystem.\u201d<\/p>\n<p>ENZO, which opens on February 25 and runs through February 28, joins a growing constellation of satellite fairs and happenings held during L.A. Art Week alongside the main event, <a href=\"https:\/\/observer.com\/company\/frieze-los-angeles\/\" title=\"Frieze Los Angeles\" class=\"company-link\">Frieze Los Angeles<\/a>, which this year brings\u00a0 95 exhibitors from 22 countries to the Santa Monica Airport. The dealer-led independent fair <a target=\"_blank\" rel=\"noopener\" href=\"http:\/\/o\" data-lasso-id=\"2896240\">Post-Fair, founded by Chris Sharp<\/a>, will take place February 26-28 in the historic Santa Monica Post Office building, with a curated but expanding roster of 25 galleries. The more glitzy <a href=\"https:\/\/observer.com\/company\/felix-art-fair\/\" title=\"Felix Art Fair\" class=\"company-link\">Felix Art Fair<\/a> will also return to the Hollywood Roosevelt Hotel from February 26 to March 1, with a VIP preview on February 25. This year\u2019s edition features 57 international galleries, more than 20 of which are new to the fair\u2014a signal of both turnover and the challenges of sustaining a West Coast presence. <a href=\"https:\/\/observer.com\/person\/new-york-life-gallery\/\" title=\"New York Life Gallery\" class=\"company-link\">New York Life Gallery<\/a>, <a href=\"https:\/\/observer.com\/person\/feia\/\" title=\"Feia\" class=\"company-link\">Feia<\/a> (Los Angeles) and <a href=\"https:\/\/observer.com\/person\/som-gallery\/\" title=\"SOM Gallery\" class=\"company-link\">SOM Gallery<\/a> (Tokyo) are among the newcomers, alongside international exhibitors such as <a href=\"https:\/\/observer.com\/person\/cohju\/\" title=\"Cohju\" class=\"company-link\">Cohju<\/a> (Kyoto), <a href=\"https:\/\/observer.com\/person\/patel-brown\/\" title=\"Patel Brown\" class=\"company-link\">Patel Brown<\/a> (Toronto and Montreal), <a href=\"https:\/\/observer.com\/person\/era-gallery\/\" title=\"Era Gallery\" class=\"company-link\">Era Gallery<\/a> (Milan), <a href=\"https:\/\/observer.com\/person\/gallery-playlist\/\" title=\"Gallery Playlist\" class=\"company-link\">Gallery Playlist<\/a> (Busan and San Francisco) and <a href=\"https:\/\/observer.com\/person\/ungallery\/\" title=\"Ungallery\" class=\"company-link\">Ungallery<\/a> (Buenos Aires).<\/p>\n<p>Yet as the fair landscape continues to expand, Los Angeles\u2019s gallery ecosystem has experienced significant contraction, underscoring how the West Coast\u2014and L.A. in particular\u2014remains a challenging market for dealers. In 2025, several galleries closed their Los Angeles spaces, including established names such as Tanya Bonakdar and Sean Kelly, while the longtime institution <a href=\"https:\/\/observer.com\/person\/l-a-louver\/\" title=\"L.A. Louver\" class=\"company-link\">L.A. Louver<\/a> closed its Venice location to the public, entering a new phase centered on private dealing and pop-up exhibitions.<\/p>\n<h3><b>More in Art Fairs, Biennials and Triennials<\/b><\/h3>\n<p>\t\t\t\t<img decoding=\"async\" itemprop=\"image\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2026\/01\/SOOT-Ulysses-Installation-View-v2-0001.jpg?quality=80&amp;w=970\" alt=\"A New Collector-Founded Fair, ENZO, Will Launch During L.A. Art Week\" style=\"display:none;width:0;\"\/><\/p><\/div>\n<p><script>\n\t!function(f,b,e,v,n,t,s)\n\t{if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n\t\tn.callMethod.apply(n,arguments):n.queue.push(arguments)};\n\t\tif(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n\t\tn.queue=[];t=b.createElement(e);t.async=!0;\n\t\tt.src=v;s=b.getElementsByTagName(e)[0];\n\t\ts.parentNode.insertBefore(t,s)}(window, document,'script',\n\t\t'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n\tfbq('init', '618909876214345');\n\tfbq('track', 'PageView');\n<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>More than 10 galleries from New York\u2019s downtown scene will mount booths in the inaugural edition of ENZO. Courtesy of ENZO Roles in the art industry are becoming increasingly fluid, and sustaining the market\u2019s current scale will require more collaboration among its participants. As rising costs push many galleries to rethink their participation in art [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":20312,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-20311","post","type-post","status-publish","format-standard","has-post-thumbnail","category-usa-news"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/20311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/comments?post=20311"}],"version-history":[{"count":1,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/20311\/revisions"}],"predecessor-version":[{"id":20313,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/20311\/revisions\/20313"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/media\/20312"}],"wp:attachment":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/media?parent=20311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/categories?post=20311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/tags?post=20311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}