{"id":2158,"date":"2025-03-20T07:24:23","date_gmt":"2025-03-20T07:24:23","guid":{"rendered":"https:\/\/nationalgunowner.org\/index.php\/2025\/03\/20\/the-residence-murder-at-the-white-house-in-diverting-mystery-series\/"},"modified":"2025-03-20T07:24:28","modified_gmt":"2025-03-20T07:24:28","slug":"the-residence-murder-at-the-white-house-in-diverting-mystery-series","status":"publish","type":"post","link":"https:\/\/nationalgunowner.org\/index.php\/2025\/03\/20\/the-residence-murder-at-the-white-house-in-diverting-mystery-series\/","title":{"rendered":"\u2018The Residence\u2019: Murder at the White House In Diverting Mystery Series"},"content":{"rendered":"<div itemprop=\"articleBody\">\n<figure id=\"attachment_1541678\" aria-describedby=\"caption-attachment-1541678\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><figcaption id=\"caption-attachment-1541678\" class=\"wp-caption-text\">From left: Isiah Whitlock Jr., Dan Perrault, Spencer Garrett, Uzo Aduba, Randall Park, Andrew Friedman, Ken Marino, Molly Griggs in The Residence. <span class=\"media-credit\">Erin Simkin\/Courtesy of Netflix<\/span><\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">A TV murder mystery has an eternal appeal, typically captivating viewers with a slow revelation of clues that allows the audience to be part of the discovery. It\u2019s a genre that can shift its tone easily, from serious drama to witty comedy, and television detectives have long been beloved characters. <\/span><i><span style=\"font-weight: 400\">The Residence<\/span><\/i><span style=\"font-weight: 400\">, created by <a href=\"https:\/\/observer.com\/person\/paul-william-davies\/\" title=\"Paul William Davies\" class=\"company-link\">Paul William Davies<\/a> and produced by Shondaland, hits many of these tropes, embracing a quirky lead detective and a slew of even quirkier suspects, all within the walls of the White House.\u00a0<\/span><\/p>\n<section class=\"wp-block-observer-newsletters observer-newsletters--in-content\">\n<\/section>\n<p><span style=\"font-weight: 400\">On the evening of a state dinner held for the Australian delegation, White House chief usher\u00a0A.B. Wynter (<a href=\"https:\/\/observer.com\/person\/giancarlo-esposito\/\" title=\"Giancarlo Esposito\" class=\"company-link\">Giancarlo Esposito<\/a>) is found murdered. It sets off a panic among the staff and we are quickly introduced to Cordelia Cupp, a police detective with a eye for detail and an obsession with bird watching. She\u2019s played winningly by <a href=\"https:\/\/observer.com\/person\/uzo-aduba\/\" title=\"Uzo Aduba\" class=\"company-link\">Uzo Aduba<\/a>, who gives Cupp a wry approach to her investigation. The cast is an expansive as the list of characters, who encompass the White House employees, the guests and members of the D.C. police and the FBI. Even Kylie Minogue, who performs as part of the state dinner, is a suspect.\u00a0<\/span><\/p>\n<figure id=\"attachment_1541679\" aria-describedby=\"caption-attachment-1541679\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"lazyload wp-image-1541679 size-full-width\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?quality=80&amp;w=970\" alt=\"\" width=\"970\" height=\"647\" srcset=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg 3600w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=300,200 300w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=768,512 768w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=635,423 635w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=1536,1024 1536w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=2048,1365 2048w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=970,647 970w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=320,213 320w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=1920,1280 1920w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=50,33 50w\" sizes=\"auto, (max-width: 600px) 300px, 620px\"\/><img loading=\"lazy\" decoding=\"async\" class=\"lazyload wp-image-1541679 size-full-width\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?quality=80&amp;w=970\" alt=\"\" width=\"970\" height=\"647\" srcset=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg 3600w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=300,200 300w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=768,512 768w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=635,423 635w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=1536,1024 1536w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=2048,1365 2048w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=970,647 970w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=320,213 320w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=1920,1280 1920w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_103_Unit_03537R.jpg?resize=50,33 50w\" sizes=\"auto, (max-width: 600px) 300px, 620px\"\/><figcaption id=\"caption-attachment-1541679\" class=\"wp-caption-text\">Giancarlo Esposito and Bronson Pinchot in <em>The Residence<\/em> <span class=\"media-credit\">Jessica Brooks\/Courtesy of Netflix<\/span><\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">Instead of approaching the whodunnit in a traditional way, Davies presents the information in a non-linear, sometimes chaotic episode structure. Each episode flashes between characters quickly, sometimes giving more than one version of a scene or a statement to highlight the fact that each character\u2019s perception of events is subjective. As Cupp investigates the murder in the past, several of the same characters address members of Congress in the present, detailing how the murder investigation was handled. It\u2019s a lot of information all at once and it can be tricky to keep track of the characters, as well as who was where and when. Still, the jumping around infuses the storytelling with whimsy and energy, and there are some funny moments, particularly from FBI special agent Edwin Park (<a href=\"https:\/\/observer.com\/person\/randall-park\/\" title=\"Randall Park\" class=\"company-link\">Randall Park<\/a>).\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Over eight episodes, Davies doles out red herrings, new clues and some key backstory about Cupp, which informs the investigation. She\u2019s a keen observer and we eventually learn why, in one of the most engaging parts of the show. Despite the serious crime at the heart of the series, it\u2019s a light-hearted watch, embracing screwball comedy tones and speedy dialogue. Some of the characters feel more like caricatures than fully-defined people, but that is part of the fun\u2014Taran Killam\u2019s St. Pierre is a hilarious energy healer who gets involved in the event planning and Barrett Foa\u2019s Elliott Morgan is an enjoyably clueless first gentleman. And yes, the president, Perry Morgan (Paul Fitzgerald), is a gay man, although that\u2019s rarely discussed and it simply accepted as part of the narrative landscape. (If only.)\u00a0<\/span><\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"NpDkoSVn5Ag\"><iframe loading=\"lazy\" title=\"The Residence | Official Teaser | Netflix\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/NpDkoSVn5Ag?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p><span style=\"font-weight: 400\">A lot of actors show up, from <a href=\"https:\/\/observer.com\/person\/jason-lee\/\" title=\"Jason Lee\" class=\"company-link\">Jason Lee<\/a> to <a href=\"https:\/\/observer.com\/person\/ken-marino\/\" title=\"Ken Marino\" class=\"company-link\">Ken Marino<\/a> to Eliza Coupe, and <a href=\"https:\/\/observer.com\/person\/al-franken\/\" title=\"Al Franken\" class=\"company-link\">Al Franken<\/a> plays a fictional senator in a meta moment that lends some sincerity to the story. These various appearances add to the show\u2019s energy, even if you sometimes struggle to recall who is who. It\u2019s clear that Davies appreciates and admires the history of the whodunnit\u2014there are nods to <\/span><i><span style=\"font-weight: 400\">Agatha Christie<\/span><\/i><span style=\"font-weight: 400\"> and <\/span><i><span style=\"font-weight: 400\">Knives Out<\/span><\/i><span style=\"font-weight: 400\"> throughout the episodes\u2014and he infuses his take with that appreciation. Sometimes you wish the show would slow or focus on one character, rather than frenetically leap through space and time, but it\u2019s easy to enjoy the full-throttle vibe. It keeps you guessing until the very end, and Davies is careful not to make the eventual revelation too obvious. It\u2019s fun to imagine a murder in this parallel universe White House, which has a very different sort of chaos to the one in our reality. Even if it\u2019s ultimately more of a dessert than an entr\u00e9e, <\/span><i><span style=\"font-weight: 400\">The Residence<\/span><\/i><span style=\"font-weight: 400\"> is a very welcome distraction.<\/span><\/p>\n<p style=\"text-align: center\"><a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.netflix.com\/title\/81005297\"><em>\u2018The Residence\u2019 is streaming now on Netflix.\u00a0<\/em><\/a><\/p>\n<p>\u00a0<\/p>\n<p>\t\t\t\t<img decoding=\"async\" itemprop=\"image\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/RESIDENCE_101_Unit_01791R.jpg?quality=80&amp;w=970\" alt=\"\u2018The Residence\u2019 Review: Murder at the White House In This Diverting Mystery Series\" style=\"display:none;width:0;\"\/><\/p><\/div>\n<p><script>\n\t!function(f,b,e,v,n,t,s)\n\t{if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n\t\tn.callMethod.apply(n,arguments):n.queue.push(arguments)};\n\t\tif(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n\t\tn.queue=[];t=b.createElement(e);t.async=!0;\n\t\tt.src=v;s=b.getElementsByTagName(e)[0];\n\t\ts.parentNode.insertBefore(t,s)}(window, document,'script',\n\t\t'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n\tfbq('init', '618909876214345');\n\tfbq('track', 'PageView');\n<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From left: Isiah Whitlock Jr., Dan Perrault, Spencer Garrett, Uzo Aduba, Randall Park, Andrew Friedman, Ken Marino, Molly Griggs in The Residence. Erin Simkin\/Courtesy of Netflix A TV murder mystery has an eternal appeal, typically captivating viewers with a slow revelation of clues that allows the audience to be part of the discovery. It\u2019s a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2159,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-2158","post","type-post","status-publish","format-standard","has-post-thumbnail","category-usa-news"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/2158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/comments?post=2158"}],"version-history":[{"count":1,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/2158\/revisions"}],"predecessor-version":[{"id":2160,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/2158\/revisions\/2160"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/media\/2159"}],"wp:attachment":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/media?parent=2158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/categories?post=2158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/tags?post=2158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}