{"id":2371,"date":"2025-03-24T13:16:52","date_gmt":"2025-03-24T13:16:52","guid":{"rendered":"https:\/\/nationalgunowner.org\/index.php\/2025\/03\/24\/death-of-a-unicorn-review-good-idea-mediocre-execution\/"},"modified":"2025-03-24T13:17:04","modified_gmt":"2025-03-24T13:17:04","slug":"death-of-a-unicorn-review-good-idea-mediocre-execution","status":"publish","type":"post","link":"https:\/\/nationalgunowner.org\/index.php\/2025\/03\/24\/death-of-a-unicorn-review-good-idea-mediocre-execution\/","title":{"rendered":"\u2018Death of a Unicorn\u2019 Review: Good Idea, Mediocre Execution"},"content":{"rendered":"<div itemprop=\"articleBody\">\n<figure id=\"attachment_1541968\" aria-describedby=\"caption-attachment-1541968\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><figcaption id=\"caption-attachment-1541968\" class=\"wp-caption-text\">(L-R) Jessica Hynes, T\u00e9a Leoni, Will Poulter, Paul Rudd, Jenna Ortega, and Anthony Carrigan in <em>Death of a Unicorn<\/em>. <span class=\"media-credit\">Courtesy of A24 Press<\/span><\/figcaption><\/figure>\n<p>In a world of endless sequels, remakes, and bottom-of-the-barrel IP, an original idea can go a long way. With a starry cast, a snappy trailer, and a genuinely neat conceit, <i>Death of a Unicorn <\/i>seemed like a movie that could break through to audiences looking beyond cinema\u2019s biggest brands. And though there are glimmers of greatness tucked away in this film, its full potential goes unrealized and this fantastical, pharmaceutical flick ends up surprisingly unmemorable.<\/p>\n<section class=\"wp-block-observer-newsletters observer-newsletters--in-content\">\n<\/section>\n<table width=\"329\" cellspacing=\"5\" cellpadding=\"5\" align=\"left\">\n<tbody>\n<tr>\n<td>\n<hr\/>\n<p><b>DEATH OF A UNICORN<\/b> \u2605\u2605 <strong><em>(2\/4 stars<\/em>)<\/strong><br \/><strong>Directed by:<\/strong> Alex Scharfman<br \/><strong>Written by: <\/strong>Alex Scharfman<br \/><strong>Starring: <\/strong>Paul Rudd, Jenna Ortega, Will Poulter, T\u00e9a Leoni, Richard E. Grant<br \/><strong>Running time:<\/strong> 108 mins.<\/p>\n<hr\/>\n<\/td>\n<td width=\"20\"\/>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Magical creature murder aside, <i>Death of a Unicorn <\/i>follows a fairly rote path. There\u2019s headstrong, moody art student Ridley (<a href=\"https:\/\/observer.com\/person\/jenna-ortega\/\" title=\"Jenna Ortega\" class=\"company-link\">Jenna Ortega<\/a>), forced on a trip into the remote wilderness by her uncool but earnest father Elliot (<a href=\"https:\/\/observer.com\/person\/paul-rudd\/\" title=\"Paul Rudd\" class=\"company-link\">Paul Rudd<\/a>). They\u2019re off to meet Elliot\u2019s boss, Odell Leopold (Richard E. Grant), the ailing patriarch at the head of a multi-billion dollar pharmaceutical company. Elliot is a company lawyer, and he\u2019s been tasked with executing Odell\u2019s monetary wishes for his wife Belinda (T\u00e9a Leoni) and son Shepard (<a href=\"https:\/\/observer.com\/person\/will-poulter\/\" title=\"Will Poulter\" class=\"company-link\">Will Poulter<\/a>) after his death\u2014as long as Elliot meets the Leopold standard of family values, or something. The how and why of the visit is a bit confused, but what\u2019s important is that Ridley resents being used as a \u201cpity prop\u201d (her mom is dead, because she and her dad need <em>something<\/em> to have an emotional connection over) and is deeply unhappy to be in the presence of a big pharma family.<\/p>\n<p>Obviously, the whole killing-a-unicorn thing is also a major downer. Ridley connects with the dying creature after her dad hits it with their car, quickly becoming the unicorn\u2019s only defender as the Leopolds discover the body\u2014and its incredible healing properties. With just a splatter of blood to the face, Elliot no longer needs his glasses and Ridley\u2019s acne disappears (though her vape addiction still holds strong), and Odell sees opportunity. But as the Leopolds start to harvest their new miracle cure from the unicorpse, the animal\u2019s brethren seek vengeance.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"9cMIarrxLGs\"><iframe loading=\"lazy\" title=\"Death Of A Unicorn | Official Trailer HD | A24\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/9cMIarrxLGs?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p><i>Death of a Unicorn <\/i>tries to work at a few different levels, from family drama to satire to slasher, but it never really nails any of them. Despite its very specific cultural target, the movie\u2019s barbs are dull and broad. Ridley\u2019s anti-establishment attitude peaks before she and her father even arrive at the Leopold estate, when she calls philanthropy \u201creputation laundering for the oligarchy,\u201d and her motivations are never all that focused. Poulter\u2019s grown up rich kid has the most to offer in terms of cultural commentary, from his unicoke snorting to his bad business ideas to his awful shorts and loafers. The elder Leopolds have less to give, and it\u2019s a real waste of Richard E. Grant. The man doesn\u2019t even get to concoct an evil plan! The film seems to think that Odell\u2019s comment about killing lions and elephants while hunting the unicorns will be a worthy substitute for actual scripted villainy (it\u2019s not).<\/p>\n<p>That shallow antagonism also hurts <i>Death of a Unicorn <\/i>as it leans into the terror wrought by the titular creatures. The movie loses its line of thought as the unicorns trample on the Leopold property, goring any and every human they can find. There are some fun moments, with writer-director <a href=\"https:\/\/observer.com\/person\/alex-scharfman\/\" title=\"Alex Scharfman\" class=\"company-link\">Alex Scharfman<\/a> winking at the audience over how silly it is to see some horror tropes done with unicorns, but he pulls the reins back before wholly committing to that style of filmmaking. The gore itself should satisfy anyone coming in to see this movie for the kills and thrills, since the blood and guts are the best of the film\u2019s visual effects; unfortunately, the unicorns look profoundly artificial and clash with the movie\u2019s more naturalistic aesthetics.<\/p>\n<figure id=\"attachment_1541997\" aria-describedby=\"caption-attachment-1541997\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"lazyload wp-image-1541997 size-full-width\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?quality=80&amp;w=970\" alt=\"\" width=\"970\" height=\"647\" srcset=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg 5846w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=300,200 300w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=768,512 768w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=635,423 635w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=1536,1024 1536w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=2048,1365 2048w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=970,647 970w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=320,213 320w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=1920,1280 1920w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=50,33 50w\" sizes=\"auto, (max-width: 600px) 300px, 620px\"\/><img loading=\"lazy\" decoding=\"async\" class=\"lazyload wp-image-1541997 size-full-width\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?quality=80&amp;w=970\" alt=\"\" width=\"970\" height=\"647\" srcset=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg 5846w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=300,200 300w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=768,512 768w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=635,423 635w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=1536,1024 1536w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=2048,1365 2048w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=970,647 970w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=320,213 320w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=1920,1280 1920w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_95696e4a9ce57d9b6f016745c08010740497d06b-5846x3897-1.jpg?resize=50,33 50w\" sizes=\"auto, (max-width: 600px) 300px, 620px\"\/><figcaption id=\"caption-attachment-1541997\" class=\"wp-caption-text\">Will Poulter in <em>Death of a Unicorn<\/em>. <span class=\"media-credit\">Courtesy of A24 Press<\/span><\/figcaption><\/figure>\n<p><i>Death of a Unicorn <\/i>is a real mixed bag of a genre mash up, never being all that scary or all that funny\u2014or even all that smart. It\u2019s incredibly predictable at times, which is never what you want out of an original movie. Rudd and Ortega make a convincing family pair, but both are very much working in their own wheelhouses with these characters. Poulter is the clear standout (along with the always capable <a href=\"https:\/\/observer.com\/person\/anthony-carrigan\/\" title=\"Anthony Carrigan\" class=\"company-link\">Anthony Carrigan<\/a>, who plays butler Griff), earning the biggest laughs while playing the character who most clearly distills the film\u2019s themes. He helps tip the scale in the movie\u2019s favor, but the end result is just okay.<\/p>\n<p>\t\t\t\t<img decoding=\"async\" itemprop=\"image\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/https___cdn.sanity.io_images_xq1bjtf4_production_179a6b3016285b899171659063bb7af0e8faab1b-5939x3960-1.jpg?quality=80&amp;w=970\" alt=\"\u2018Death of a Unicorn\u2019 Review: Good Idea, Mediocre Execution\" style=\"display:none;width:0;\"\/><\/p><\/div>\n<p><script>\n\t!function(f,b,e,v,n,t,s)\n\t{if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n\t\tn.callMethod.apply(n,arguments):n.queue.push(arguments)};\n\t\tif(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n\t\tn.queue=[];t=b.createElement(e);t.async=!0;\n\t\tt.src=v;s=b.getElementsByTagName(e)[0];\n\t\ts.parentNode.insertBefore(t,s)}(window, document,'script',\n\t\t'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n\tfbq('init', '618909876214345');\n\tfbq('track', 'PageView');\n<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(L-R) Jessica Hynes, T\u00e9a Leoni, Will Poulter, Paul Rudd, Jenna Ortega, and Anthony Carrigan in Death of a Unicorn. Courtesy of A24 Press In a world of endless sequels, remakes, and bottom-of-the-barrel IP, an original idea can go a long way. With a starry cast, a snappy trailer, and a genuinely neat conceit, Death of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2372,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-2371","post","type-post","status-publish","format-standard","has-post-thumbnail","category-usa-news"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/2371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/comments?post=2371"}],"version-history":[{"count":1,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/2371\/revisions"}],"predecessor-version":[{"id":2373,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/2371\/revisions\/2373"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/media\/2372"}],"wp:attachment":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/media?parent=2371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/categories?post=2371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/tags?post=2371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}