{"id":2614,"date":"2025-03-27T19:26:17","date_gmt":"2025-03-27T19:26:17","guid":{"rendered":"https:\/\/nationalgunowner.org\/index.php\/2025\/03\/27\/mid-century-modern-review-a-good-old-fashioned-gay-comfort-show\/"},"modified":"2025-03-27T19:26:21","modified_gmt":"2025-03-27T19:26:21","slug":"mid-century-modern-review-a-good-old-fashioned-gay-comfort-show","status":"publish","type":"post","link":"https:\/\/nationalgunowner.org\/index.php\/2025\/03\/27\/mid-century-modern-review-a-good-old-fashioned-gay-comfort-show\/","title":{"rendered":"\u2018Mid-Century Modern\u2019 Review: A Good Old-Fashioned Gay Comfort Show"},"content":{"rendered":"<div itemprop=\"articleBody\">\n<figure id=\"attachment_1542824\" aria-describedby=\"caption-attachment-1542824\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><figcaption id=\"caption-attachment-1542824\" class=\"wp-caption-text\">From left: Nathan Lane, Matt Bomer and Nathan Lee Graham in <em>Mid-Century Modern<\/em>. <span class=\"media-credit\">Disney\/Christopher Willard<\/span><\/figcaption><\/figure>\n<p>They don\u2019t make \u2018em like this anymore, but at the same time, the powers that be when it comes to TV have never made something like this. A multi-cam sitcom shot in front of a live audience with every episode clocking in at under 30 minutes, <i>Mid-Century Modern <\/i>is eager to scratch that nostalgic itch in your brain. Luckily, though, it\u2019s not all stuck in the past.<\/p>\n<section class=\"wp-block-observer-newsletters observer-newsletters--in-content\">\n<\/section>\n<p>Co-created by <i>Will &amp; Grace <\/i>masterminds <a href=\"https:\/\/observer.com\/person\/max-mutchnick\/\" title=\"Max Mutchnick\" class=\"company-link\">Max Mutchnick<\/a> and <a href=\"https:\/\/observer.com\/person\/david-kohan\/\" title=\"David Kohan\" class=\"company-link\">David Kohan<\/a>, this new comedy is as maximally gay as can be. After the death of a friend, Bunny Schneiderman (<a href=\"https:\/\/observer.com\/person\/nathan-lane\/\" title=\"Nathan Lane\" class=\"company-link\">Nathan Lane<\/a>) decides that he ought to invite his other good Judys to live with him in his luxurious Palm Springs home\u2014or rather, the luxurious home he already shares with his mother Sybil (the late <a href=\"https:\/\/observer.com\/person\/linda-lavin\/\" title=\"Linda Lavin\" class=\"company-link\">Linda Lavin<\/a>). It doesn\u2019t take much convincing for former <em>Vogue<\/em> columnist Arthur (<a href=\"https:\/\/observer.com\/person\/nathan-lee-graham\/\" title=\"Nathan Lee Graham\" class=\"company-link\">Nathan Lee Graham<\/a>) and flight attendant Jerry (<a href=\"https:\/\/observer.com\/person\/matt-bomer\/\" title=\"Matt Bomer\" class=\"company-link\">Matt Bomer<\/a>) to agree to stay, and homosexual hijinks ensue.<\/p>\n<p><i>Mid-Century Modern <\/i>isn\u2019t groundbreaking in its format, and that kind of familiarity makes for easy watching. You know that whatever interpersonal problems that the group stumbles into will be resolved in 20ish minutes, that someone will learn a vague but widely applicable lesson, that there will be enough jokes to keep things moving quickly. It\u2019s not <i>The Bear <\/i>or <i>Hacks <\/i>or even <i>Abbott Elementary<\/i>, but it doesn\u2019t need to be. There\u2019s still room in the contemporary television landscape for an old-fashioned sitcom.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"-m1JjIFXLuM\"><iframe loading=\"lazy\" title=\"Mid-Century Modern | Official Trailer | Hulu\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/-m1JjIFXLuM?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p>But, again, the series refuses to be defined by its traditional leanings. The gays live in Palm Springs; they joke about Barbra Streisand and Anna Wintour, obviously, but also PrEP, pegging and phone scammers. Bunny describes their group as \u201cwomen of a certain age,\u201d but they\u2019re generally with the times. It\u2019s fun to see this demographic leading on TV for the first time\u2014aging gay men without the crutch of a straight main character\u2014and the three leads revel in the opportunity.<\/p>\n<p>Lane is obviously an experienced professional, and this is perhaps his most flamboyant role since <i>The Birdcage <\/i>(A24\u2019s unsung <i>Dicks: The Musical <\/i>notwithstanding). The actor clearly takes a lot of joy in what he calls being one of the gay <i>Golden Girls<\/i>, and it shines through on screen; given the reporting on how <a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.vanityfair.com\/hollywood\/story\/nathan-lane-midcentury-modern-awards-insider\" data-lasso-id=\"2722646\">his identity has impacted his career<\/a>, his performance ends up feeling as poignant as it is utterly jubilant. Meanwhile, Bomer is a consistent standout. He plays the beautiful idiot that is Jerry, a man whose chiseled jaw and muscle mass make up for his total lack of a brain. Are all of his jokes funny? Do they always make sense? Not necessarily, but his delivery makes every line memorable. It\u2019s a different kind of performance from the actor, whose dramatic work in <i>Fellow Travelers <\/i>with Jonathan Bailey still resonates, and he has plenty of fun with it. To round out the trio, Graham gets to tackle the show\u2019s most deliciously bitchy lines as the judgmental and fashionable Arthur, and the actor makes reading an art.<\/p>\n<figure id=\"attachment_1542830\" aria-describedby=\"caption-attachment-1542830\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"lazyload wp-image-1542830 size-full-width\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?quality=80&amp;w=970\" alt=\"\" width=\"970\" height=\"647\" srcset=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg 3000w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=300,200 300w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=768,512 768w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=635,423 635w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=1536,1024 1536w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=2048,1365 2048w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=970,647 970w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=320,213 320w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=1920,1280 1920w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=50,33 50w\" sizes=\"auto, (max-width: 600px) 300px, 620px\"\/><img loading=\"lazy\" decoding=\"async\" class=\"lazyload wp-image-1542830 size-full-width\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?quality=80&amp;w=970\" alt=\"\" width=\"970\" height=\"647\" srcset=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg 3000w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=300,200 300w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=768,512 768w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=635,423 635w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=1536,1024 1536w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=2048,1365 2048w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=970,647 970w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=320,213 320w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=1920,1280 1920w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/175106_0727_V1.jpg?resize=50,33 50w\" sizes=\"auto, (max-width: 600px) 300px, 620px\"\/><figcaption id=\"caption-attachment-1542830\" class=\"wp-caption-text\">From left: Linda Lavin, Nathan Lane and Nathan Lee Graham in<em> Mid-Century Modern<\/em>. <span class=\"media-credit\">Disney\/Christopher Willard<\/span><\/figcaption><\/figure>\n<p><i>Mid-Century Modern <\/i>also boasts the final performance of Linda Lavin, who passed during production. Mutchnik and Kohan had to retool the last episodes to write her out, and you\u2019d have to have a heart of stone to not feel the tug of tears in the penultimate episode, \u201cHere\u2019s to You, Mrs. Schneiderman.\u201d That emotional context aside, Lavin is an absolute delight as Sybil. One of the bonuses of having this series on streaming is that the dialogue can be as explicit as the writers want, and yeah, it\u2019s funny to see a nearly 90-year-old woman drop the c-word.<\/p>\n<p>Like any good sitcom, there are guest stars galore, from <a href=\"https:\/\/observer.com\/person\/pamela-adlon\/\" title=\"Pamela Adlon\" class=\"company-link\">Pamela Adlon<\/a> to <a href=\"https:\/\/observer.com\/person\/richard-kind\/\" title=\"Richard Kind\" class=\"company-link\">Richard Kind<\/a> to <a href=\"https:\/\/observer.com\/person\/jesse-tyler-ferguson\/\" title=\"Jesse Tyler Ferguson\" class=\"company-link\">Jesse Tyler Ferguson<\/a>. <i>Mid-Century Modern <\/i>never aims to reinvent the wheel, just refashion it. While that makes for some obvious or cliche moments, they\u2019re not unwelcome ones. It\u2019s a series that\u2019s easy to watch and easy to enjoy, and sometimes that\u2019s all you really need in a comedy.<\/p>\n<p style=\"text-align: center\"><a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.hulu.com\/series\/mid-century-modern-06427539-c0f0-43ba-8630-b95a2426feb4\" data-lasso-id=\"2722647\"><strong><em>All 10 episodes of \u2018Mid-Century Modern\u2019 premiere on March 28th on Hulu.<\/em><\/strong><\/a><\/p>\n<p>\t\t\t\t<img decoding=\"async\" itemprop=\"image\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/03\/176175_2951_V1.jpg?quality=80&amp;w=970\" alt=\"\u2018Mid-Century Modern\u2019 Review: A Good Old-Fashioned Gay Comfort Show\" style=\"display:none;width:0;\"\/><\/p><\/div>\n<p><script>\n\t!function(f,b,e,v,n,t,s)\n\t{if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n\t\tn.callMethod.apply(n,arguments):n.queue.push(arguments)};\n\t\tif(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n\t\tn.queue=[];t=b.createElement(e);t.async=!0;\n\t\tt.src=v;s=b.getElementsByTagName(e)[0];\n\t\ts.parentNode.insertBefore(t,s)}(window, document,'script',\n\t\t'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n\tfbq('init', '618909876214345');\n\tfbq('track', 'PageView');\n<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From left: Nathan Lane, Matt Bomer and Nathan Lee Graham in Mid-Century Modern. Disney\/Christopher Willard They don\u2019t make \u2018em like this anymore, but at the same time, the powers that be when it comes to TV have never made something like this. A multi-cam sitcom shot in front of a live audience with every episode [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-2614","post","type-post","status-publish","format-standard","has-post-thumbnail","category-usa-news"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/2614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/comments?post=2614"}],"version-history":[{"count":1,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/2614\/revisions"}],"predecessor-version":[{"id":2616,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/2614\/revisions\/2616"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/media\/2615"}],"wp:attachment":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/media?parent=2614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/categories?post=2614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/tags?post=2614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}