{"id":3395,"date":"2025-04-08T21:13:24","date_gmt":"2025-04-08T21:13:24","guid":{"rendered":"https:\/\/nationalgunowner.org\/index.php\/2025\/04\/08\/one-to-one-john-yoko-inside-john-lennons-life-and-apartment\/"},"modified":"2025-04-08T21:13:28","modified_gmt":"2025-04-08T21:13:28","slug":"one-to-one-john-yoko-inside-john-lennons-life-and-apartment","status":"publish","type":"post","link":"https:\/\/nationalgunowner.org\/index.php\/2025\/04\/08\/one-to-one-john-yoko-inside-john-lennons-life-and-apartment\/","title":{"rendered":"\u2018One to One: John &#038; Yoko\u2019: Inside John Lennon\u2019s Life (And Apartment)"},"content":{"rendered":"<div itemprop=\"articleBody\">\n<figure id=\"attachment_1545208\" aria-describedby=\"caption-attachment-1545208\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><figcaption id=\"caption-attachment-1545208\" class=\"wp-caption-text\">John Lennon and Yoko Ono in New York in the 1970s <span class=\"media-credit\">Ben Ross and Leonora Golberg\/Courtesy of Magnolia Pictures<\/span><\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">The small color TV that graced the Bank Street apartment <a href=\"https:\/\/observer.com\/person\/john-lennon\/\" title=\"John Lennon\" class=\"company-link\">John Lennon<\/a> and <a href=\"https:\/\/observer.com\/person\/yoko-ono\/\" title=\"Yoko Ono\" class=\"company-link\">Yoko Ono<\/a> shared in Greenwich Village from 1971 to 1973 was perched at the end of the bed, a few inches from their toes.\u00a0We know this not just from historical photographs but because in the new documentary\u00a0<\/span><i><span style=\"font-weight: 400\">One to One: John &amp; Yoko,<\/span><\/i><span style=\"font-weight: 400\">\u00a0the filmmakers have built an exacting replica of the place\u2014complete with Snoopy pillowcases\u2014without even bothering to tidy it up. Butts smolder in an overstuffed ashtray while steam drifts off coffee half drunk in a blue Anthora, as if the pair are on a cigarette run and will be back in a jiff.<\/span><\/p>\n<section class=\"wp-block-observer-newsletters observer-newsletters--in-content\">\n<\/section>\n<table width=\"329\" cellspacing=\"5\" cellpadding=\"5\" align=\"left\">\n<tbody>\n<tr>\n<td>\n<hr\/>\n<p><b>ONE TO ONE: JOHN &amp; YOKO<\/b> \u2605\u2605\u26051\/2<strong>\u00a0<\/strong><strong><em>(3.5\/4 stars<\/em>)<\/strong><br \/><strong>Directed by:<\/strong> <span style=\"font-weight: 400\">Kevin Macdonald, Sam Rice-Edwards<\/span><br \/><strong>Running time:<\/strong> 105 mins.<\/p>\n<hr\/>\n<\/td>\n<td width=\"20\"\/>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-weight: 400\">Between its recreation of that Greenwich Village apartment, its use of archival audio recordings of telephone conversations and its fuzzed-out cutaways to vintage TV clips, <\/span><i><span style=\"font-weight: 400\">One to One<\/span><\/i><span style=\"font-weight: 400\">\u2014which opens this week in IMAX and includes footage of the One to One benefit concert that Lennon and Ono staged at Madison Square Garden in August of 1972\u2014often feels more like a museum installation than journalism.\u00a0But its subject and its music would reward either.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Co-directed by Scottish filmmaker <a href=\"https:\/\/observer.com\/person\/kevin-macdonald\/\" title=\"Kevin Macdonald\" class=\"company-link\">Kevin Macdonald<\/a>\u2014an Oscar winner for <\/span><i><span style=\"font-weight: 400\">One Day in September<\/span><\/i><span style=\"font-weight: 400\">, the 1999 documentary about the murder of Israeli athletes during the 1972 Munich Olympics\u2014<\/span><i><span style=\"font-weight: 400\">One to One<\/span><\/i><span style=\"font-weight: 400\"> posits that the stuff pouring out of Lennon and Ono\u2019s TV set was more than just time-wasting entertainment. It seeped deep into the consciousness of the newly married and voraciously curious pair, filling their days with images of John-Boy Walton and Tony the Tiger.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">When they weren\u2019t vegging out in front of the telly, Lennon and Ono were devising ways to implement a radical rock &amp; roll agenda with his new friends on the American Left, like anti-war activist Jerry Rubin, while simultaneously dodging the FBI. Nixon\u2019s weaponized government had the pair so under the microscope that, to the filmmakers\u2019 boon, Lennon started documenting his own telephone calls so he would have a record of what the feds were likely taping themselves.\u00a0<\/span><\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"5vV01VjchBs\"><iframe loading=\"lazy\" title=\"One to One: John &amp; Yoko - Official Trailer\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/5vV01VjchBs?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p><span style=\"font-weight: 400\">In one such recording, Lennon refers to himself\u00a0as \u201ca revolutionary artist.\u201d This may be the ultimate question that\u00a0<\/span><i><span style=\"font-weight: 400\">One to One\u00a0<\/span><\/i><span style=\"font-weight: 400\">posits: can an individual rightfully consider themselves members of the revolution while regularly catching\u00a0<\/span><i><span style=\"font-weight: 400\">The Price is Right?<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400\">It depends on what else you\u2019re flipping to, I suppose.\u00a0In addition to steady inundations of Vietnam War atrocities from the desk of Walter Cronkite, Lennon and Ono caught a segment from then WABC\u2010TV news reporter Geraldo Rivera on Staten Island\u2019s Willowbrook State School, and the horrifying\u00a0conditions for the intellectually disabled students who lived there.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">This led to August 30, 1972\u2019s legendary\u00a0One to One<\/span><i><span style=\"font-weight: 400\">\u00a0<\/span><\/i><span style=\"font-weight: 400\">benefit concert. Lennon\u2019s only full-length show after leaving The Beatles not only provides Macdonald and co-director and editor <a href=\"https:\/\/observer.com\/person\/sam-rice-edwards\/\" title=\"Sam Rice-Edwards\" class=\"company-link\">Sam Rice-Edwards<\/a> with their film\u2019s title, but the remastered footage\u2014with the music newly remixed by the film\u2019s executive producer Sean Ono Lennon\u2014is the film\u2019s chief selling point as well as its primary reason for existence.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The music sounds incredible\u2014there\u2019s not nearly enough, in my estimation. This mix is streets ahead of the comparatively muddy one found on the 1986 album\u00a0<\/span><i><span style=\"font-weight: 400\">Live in New York City.<\/span><\/i><span style=\"font-weight: 400\">\u00a0(This time out, \u201cWoman is the N***** of the World\u201d is tastefully omitted.)\u00a0Seeing the many close-ups of the bespectacled Lennon delivering his ragged and emotionally raw vocals on an IMAX screen twice the size of that Greenwich Village flat is positively soul-shaking.<\/span><\/p>\n<p><span style=\"font-weight: 400\">That said, much of <\/span><i><span style=\"font-weight: 400\">One to One<\/span><\/i><span style=\"font-weight: 400\"> feels more like an exhibit than an investigation. There are no signs, for example, of Lennon\u2019s growing alcohol dependency and drug addiction, nor the discordance in the couple\u2019s relationship that would lead to the \u201cLost Weekend,\u201d the title Lennon gave to the debaucherous year-and-half he spent away from his wife starting in late 1973. May Pang, Lennon\u2019s lover and the central figure in that much chronicled episode, shows up in voice only. As Ono\u2019s longtime assistant, she is recorded on the phone diligently and somewhat comically trying to procure thousands of houseflies for one of Ono\u2019s fabled art exhibitions.\u00a0 \u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">But no matter: there is no shortage of warts-and-all renderings of the most complicated, confounding, and frustratingly short-lived Beatle: the documentary<\/span><i><span style=\"font-weight: 400\"> Lost Weekend: A Love Story\u00a0<\/span><\/i><span style=\"font-weight: 400\">came out three years ago while\u00a0<\/span><i><span style=\"font-weight: 400\">Borrowed Time: Lennon\u2019s Last Decade\u00a0<\/span><\/i><span style=\"font-weight: 400\">was released earlier this year.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Macdonald and Rice-Edwards have instead pieced together something of even greater value: more than a piece of mere reportage, they have crafted a true experience. This is\u00a0<\/span><span style=\"font-weight: 400\">\u201chistory is a confusion\u201d\u2014<\/span><span style=\"font-weight: 400\">a lyric from Lennon\u2019s \u201cWatching the Wheels\u201d (a song he did not play that hot August night in midtown)<\/span><span style=\"font-weight: 400\">\u2014turned into a thrilling, radical theme park ride.<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p>\u00a0<\/p>\n<p>\t\t\t\t<img decoding=\"async\" itemprop=\"image\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/1.jpeg?quality=80&amp;w=970\" alt=\"\u2018One to One: John &amp; Yoko\u2019 Review: Inside the Life (And Apartment) of John Lennon\" style=\"display:none;width:0;\"\/><\/p><\/div>\n<p><script>\n\t!function(f,b,e,v,n,t,s)\n\t{if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n\t\tn.callMethod.apply(n,arguments):n.queue.push(arguments)};\n\t\tif(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n\t\tn.queue=[];t=b.createElement(e);t.async=!0;\n\t\tt.src=v;s=b.getElementsByTagName(e)[0];\n\t\ts.parentNode.insertBefore(t,s)}(window, document,'script',\n\t\t'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n\tfbq('init', '618909876214345');\n\tfbq('track', 'PageView');\n<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>John Lennon and Yoko Ono in New York in the 1970s Ben Ross and Leonora Golberg\/Courtesy of Magnolia Pictures The small color TV that graced the Bank Street apartment John Lennon and Yoko Ono shared in Greenwich Village from 1971 to 1973 was perched at the end of the bed, a few inches from their [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3396,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-3395","post","type-post","status-publish","format-standard","has-post-thumbnail","category-usa-news"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/3395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/comments?post=3395"}],"version-history":[{"count":1,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/3395\/revisions"}],"predecessor-version":[{"id":3397,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/3395\/revisions\/3397"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/media\/3396"}],"wp:attachment":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/media?parent=3395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/categories?post=3395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/tags?post=3395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}