{"id":3889,"date":"2025-04-15T19:18:04","date_gmt":"2025-04-15T19:18:04","guid":{"rendered":"https:\/\/nationalgunowner.org\/index.php\/2025\/04\/15\/welcome-to-the-golden-age-of-international-reality-tv\/"},"modified":"2025-04-15T19:18:11","modified_gmt":"2025-04-15T19:18:11","slug":"welcome-to-the-golden-age-of-international-reality-tv","status":"publish","type":"post","link":"https:\/\/nationalgunowner.org\/index.php\/2025\/04\/15\/welcome-to-the-golden-age-of-international-reality-tv\/","title":{"rendered":"Welcome to the Golden Age of International Reality TV"},"content":{"rendered":"<div itemprop=\"articleBody\">\n<figure id=\"attachment_1546144\" aria-describedby=\"caption-attachment-1546144\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><figcaption id=\"caption-attachment-1546144\" class=\"wp-caption-text\">Clockwise from top left: <em>Love Is Blind<\/em> Japan, <em>Singles Inferno<\/em> and <em>Love Is Blind<\/em> Sweden. <span class=\"media-credit\">Courtesy of Netflix<\/span><\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">For the past few years, scripted television shows have been stuck in a rut, with critics declaring \u201cThe Golden Age of TV\u201d all but dead. <\/span><a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.nytimes.com\/2024\/04\/27\/arts\/television\/mid-tv.html\" data-lasso-id=\"2732769\"><i><span style=\"font-weight: 400\">The New York Times<\/span><\/i><\/a><span style=\"font-weight: 400\">, <\/span><a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.economist.com\/culture\/2023\/10\/27\/a-golden-age-of-tv-is-losing-its-shine\" data-lasso-id=\"2732770\"><i><span style=\"font-weight: 400\">The Economist<\/span><\/i><\/a><span style=\"font-weight: 400\">\u00a0and even the <\/span><a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/ew.com\/the-sopranos-david-chase-25th-anniversary-golden-age-of-tv-dying-8426219\" data-lasso-id=\"2732771\"><span style=\"font-weight: 400\">creator of <\/span><i><span style=\"font-weight: 400\">The Sopranos<\/span><\/i><\/a><span style=\"font-weight: 400\"> have come out maligning the influx of \u201cmid\u201d TV. They credit the rise of streaming services, the treatment of art as IP, the new threat of AI, and the prevalence of reboots with killing the much-hyped era. There\u2019s just too much content now, and not enough of it is good.\u00a0<\/span><\/p>\n<section class=\"wp-block-observer-newsletters observer-newsletters--in-content\">\n<\/section>\n<p><span style=\"font-weight: 400\">But while scripted television may not be at its prime anymore, <\/span><i><span style=\"font-weight: 400\">reality<\/span><\/i><span style=\"font-weight: 400\"> television is, and international reality TV, in particular, is having a moment.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">At the 2020 Golden Globes, director Bong Joon Ho accepted the Best Foreign Language Film award for <\/span><i><span style=\"font-weight: 400\">Parasite<\/span><\/i><span style=\"font-weight: 400\">, which also won Best Picture at The Oscars that year. In his <\/span><a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.dazeddigital.com\/film-tv\/article\/47346\/1\/parasite-director-bong-joon-ho-golden-globes-subtitles-foreign-language-films\" data-lasso-id=\"2732772\"><span style=\"font-weight: 400\">acceptance speech<\/span><\/a><span style=\"font-weight: 400\">, he famously said, \u201cOnce you overcome the one-inch-tall barrier of subtitles, you will be introduced to so many more amazing films.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">In 2025, the <\/span><a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.nytimes.com\/2020\/02\/12\/movies\/movies-subtitles-parasite.html\" data-lasso-id=\"2732773\"><span style=\"font-weight: 400\">jury\u2019s still out<\/span><\/a><span style=\"font-weight: 400\"> on whether Americans have taken the Korean filmmaker\u2019s advice to heart when it comes to movies. However, U.S. audiences <\/span><i><span style=\"font-weight: 400\">do<\/span><\/i><span style=\"font-weight: 400\"> seem willing to overlook that one-inch barrier when it comes to \u201ctrashy\u201d television \u2014 if Netflix\u2019s endless international <\/span><i><span style=\"font-weight: 400\">Love Is Blind<\/span><\/i><span style=\"font-weight: 400\"> spinoffs and Stateside viewers\u2019 increasing appetite for Korean reality TV are any indication. To many, reality television is a waste of time, but to others, it\u2019s an anthropological window into our society. International reality TV can introduce watchers to different worldviews and cultures, which we desperately need right now.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Below, find five international reality shows to get you started, some with subtitles and others not.\u00a0<\/span><\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"8wvckN7oHCI\"><iframe loading=\"lazy\" title=\"SINGLE&#039;S INFERNO SEASON 4 | Official Trailer | Netflix\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/8wvckN7oHCI?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p><b>Single\u2019s Inferno<\/b><\/p>\n<p><span style=\"font-weight: 400\">In this South Korean dating show, contestants are stranded on an inhospitable island (Inferno) where they are forbidden from revealing their ages or jobs. However, they can win overnight dates to \u201cParadise,\u201d an upscale resort, by winning physical challenges. There, they can open up to their partners and further develop romantic connections. Like many Korean reality shows, <\/span><i><span style=\"font-weight: 400\">Single\u2019s Inferno<\/span><\/i><span style=\"font-weight: 400\"> employs a panel of hosts who watch the participants alongside viewers and commentate on the drama. Current hosts include actress Lee Da-Hee and Korean boyband member Kyuhyun, among others. While the show\u2019s title suggests raunchiness galore, <\/span><i><span style=\"font-weight: 400\">Single\u2019s Inferno<\/span><\/i><span style=\"font-weight: 400\"> is quite subdued. A kiss on the cheek is the height of physical affection on this series, and the conflict is brooding and internal rather than explosive.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">Where to Watch: <\/span><\/i><a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.netflix.com\/title\/81436209\" data-lasso-id=\"2732774\"><span style=\"font-weight: 400\">Netflix<\/span><\/a><\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"xzq6vgX9Z0o\"><iframe loading=\"lazy\" title=\"Best of David Genat - Winner of Australian Survivor All-Stars\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/xzq6vgX9Z0o?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p><b>Australian Survivor<\/b><\/p>\n<p><span style=\"font-weight: 400\">If <a href=\"https:\/\/observer.com\/person\/david-genat\/\" title=\"David Genat\" class=\"company-link\">David Genat<\/a>\u2019s appearance on the American reality show <\/span><i><span style=\"font-weight: 400\">Deal or No Deal Island<\/span><\/i><span style=\"font-weight: 400\"> piqued your interest in <\/span><i><span style=\"font-weight: 400\">Survivor<\/span><\/i><span style=\"font-weight: 400\">\u2019s counterpart down under, you\u2019ve come to the right place. Based on the Swedish television series <\/span><i><span style=\"font-weight: 400\">Expedition Robinson<\/span><\/i><span style=\"font-weight: 400\">, <\/span><i><span style=\"font-weight: 400\">Survivor<\/span><\/i><span style=\"font-weight: 400\"> is one of the U.S.\u2019s longest-running reality TV shows. The premise is simple: Participants stranded on an island compete in challenges for prizes and immunity while slowly voting each other off the game until there is a winner. In more recent years, the series has lost a bit of its shine: Since the COVID-19 pandemic, <\/span><i><span style=\"font-weight: 400\">Survivor<\/span><\/i><span style=\"font-weight: 400\"> has decreased from 39 days to 26. And the showrunners have introduced increasingly convoluted game elements to keep viewers interested, which have left many <\/span><a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.businessinsider.com\/survivor-season-41-too-many-advantages-opinion-2021-11\" data-lasso-id=\"2732775\"><span style=\"font-weight: 400\">confused and annoyed<\/span><\/a><span style=\"font-weight: 400\"> instead. If you yearn for <\/span><i><span style=\"font-weight: 400\">Survivor<\/span><\/i><span style=\"font-weight: 400\">\u2019s glory days, check out <\/span><i><span style=\"font-weight: 400\">Australian Survivor<\/span><\/i><span style=\"font-weight: 400\">, where the survival period is longer (about 50 days), the challenges are tougher, and the twists are plain and simple. While <a href=\"https:\/\/observer.com\/person\/jeff-probst\/\" title=\"Jeff Probst\" class=\"company-link\">Jeff Probst<\/a> is arguably the best host in reality TV, Jonathan LaPaglia gives him a run for his money, and the COVID-19 seasons in the Australian outback are an absolute blast.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">Where to Start:<\/span><\/i><span style=\"font-weight: 400\"> Season 5 or 8<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">Where to Watch:<\/span><\/i><span style=\"font-weight: 400\"> Unfortunately, you\u2019ll need a VPN to watch in the U.S.<\/span><\/p>\n<figure id=\"attachment_1546135\" aria-describedby=\"caption-attachment-1546135\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"lazyload wp-image-1546135 size-full-width\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?quality=80&amp;w=970\" alt=\"\" width=\"970\" height=\"553\" srcset=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg 4500w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=300,171 300w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=768,438 768w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=635,362 635w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=1536,876 1536w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=2048,1168 2048w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=970,553 970w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=320,183 320w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=1920,1095 1920w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=50,29 50w\" sizes=\"auto, (max-width: 600px) 300px, 620px\"\/><img loading=\"lazy\" decoding=\"async\" class=\"lazyload wp-image-1546135 size-full-width\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?quality=80&amp;w=970\" alt=\"\" width=\"970\" height=\"553\" srcset=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg 4500w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=300,171 300w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=768,438 768w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=635,362 635w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=1536,876 1536w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=2048,1168 2048w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=970,553 970w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=320,183 320w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=1920,1095 1920w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/LIB_SV_UNIT_0784_Linus-Hallsenius_Netflix.jpg?resize=50,29 50w\" sizes=\"auto, (max-width: 600px) 300px, 620px\"\/><figcaption id=\"caption-attachment-1546135\" class=\"wp-caption-text\"><em>Love Is Blind<\/em> Sweden Season 2 reunion show: (from left) Ola, Oscar, Wictor, Nathalie, Jakob, Karolina, Jessica Almen\u00e4s, Karin, Niklas, Milly and Alicia. <span class=\"media-credit\">Courtesy of Netflix<\/span><\/figcaption><\/figure>\n<p><b>Love Is Blind Sweden \/ Japan<\/b><\/p>\n<p><span style=\"font-weight: 400\">If you watch dating shows, chances are, you\u2019ve watched <\/span><i><span style=\"font-weight: 400\">Love Is Blind<\/span><\/i><span style=\"font-weight: 400\">. Netflix\u2019s standout reality show employs a unique gimmick: Contestants go on dozens of dates without seeing each other. After about a week, they get engaged, sight unseen, to their chosen partner and have roughly a month to decide if they want to follow through with the wedding. Since <\/span><i><span style=\"font-weight: 400\">Love Is Blind<\/span><\/i><span style=\"font-weight: 400\">\u2019s premiere in 2020, Netflix has created nearly a dozen international spinoffs, including ones in Mexico, the United Arab Emirates, Argentina, and Germany. <\/span><span style=\"font-weight: 400\"><br \/><\/span><span style=\"font-weight: 400\"><br \/><\/span><span style=\"font-weight: 400\">While each adaptation has something to offer, the one-season Swedish and Japanese versions stand out. In many ways, <\/span><i><span style=\"font-weight: 400\">Love Is Blind<\/span><\/i> <i><span style=\"font-weight: 400\">Sweden<\/span><\/i><span style=\"font-weight: 400\"> most closely resembles <\/span><i><span style=\"font-weight: 400\">Love Is Blind U.S.<\/span><\/i><span style=\"font-weight: 400\"> in terms of the country\u2019s sex and dating culture. However, <\/span><i><span style=\"font-weight: 400\">Sweden<\/span><\/i><span style=\"font-weight: 400\"> makes the list for its bonkers live reunion, which will leave your jaw on the floor. <\/span><i><span style=\"font-weight: 400\">Love Is Blind Japan<\/span><\/i><span style=\"font-weight: 400\">, on the other hand, sometimes reads more like a Hirokazu Kore-eda film than a reality show. Unlike the other versions of the series, which hinge on dramatic confrontations and badly-behaved contestants to keep audiences engaged, <\/span><i><span style=\"font-weight: 400\">Japan<\/span><\/i><span style=\"font-weight: 400\"> is, as you might expect, a quieter, more introspective show. It explores social taboos in the country \u2014 like tattoos, divorce, and age gaps \u2014 with grace and thoughtfulness.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">Where to Watch: <\/span><\/i><span style=\"font-weight: 400\">Netflix (<a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.netflix.com\/title\/81626839\" data-lasso-id=\"2734776\">Sweden<\/a>, <a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.netflix.com\/title\/81411891\" data-lasso-id=\"2734777\">Japan<\/a>)\u00a0<\/span><\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"L0q4nSS-2x0\"><iframe loading=\"lazy\" title=\"Challenge Chaos | Love Island Series 11\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/L0q4nSS-2x0?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p><b>Love Island UK<\/b><\/p>\n<p><span style=\"font-weight: 400\">No list of international reality shows would be complete without <\/span><i><span style=\"font-weight: 400\">Love Island<\/span><\/i><span style=\"font-weight: 400\">, an oldie but a goodie. On the famous UK show, swimsuit-clad hotties live in a massive villa and try to form connections. They fight, participate in challenges, couple up, and break up. Via \u201cre-coupling\u201d ceremonies, the islanders switch partners, and at random times, are dumped from the island. This revolving door of new contestants called \u201cbombshells\u201d creates chaos that is equal parts unhinged and deliciously watchable. Part of <\/span><i><span style=\"font-weight: 400\">Love Island<\/span><\/i><span style=\"font-weight: 400\">\u2019s appeal is its sheer volume \u2014 the seasons air live in the UK and typically span around 50 episodes. It\u2019s also hard to overstate this show\u2019s impact on pop culture: <\/span><i><span style=\"font-weight: 400\">Love Island<\/span><\/i><span style=\"font-weight: 400\">isms like \u201cgrafting\u201d and \u201cI\u2019ve got the ick\u201d have become part of the cultural lexicon, even in the show\u2019s counterpart across the pond. If you\u2019re feeling adventurous, you might also try <\/span><i><span style=\"font-weight: 400\">Love Island Australia <\/span><\/i><span style=\"font-weight: 400\">or <\/span><i><span style=\"font-weight: 400\">Love Island France<\/span><\/i><span style=\"font-weight: 400\">, which are both addicting in their own ways.\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">Where to Start<\/span><\/i><span style=\"font-weight: 400\">: Season 3<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">Where to Watch: <\/span><\/i><a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.hulu.com\/series\/e3b93210-7e03-471f-8270-0e17161809a8\" data-lasso-id=\"2732776\"><span style=\"font-weight: 400\">Hulu<\/span><\/a><\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"Ikhus6mAWVE\"><iframe loading=\"lazy\" title=\"My First Errand\/Old Enough &quot;Wrong Wrong Wrong Wrong!&quot;\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/Ikhus6mAWVE?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p><b>Old Enough!<\/b><\/p>\n<p><i><span style=\"font-weight: 400\">Old Enough!<\/span><\/i><span style=\"font-weight: 400\"> is a different kind of reality show \u2014 one with a ton of heart. Airing since 1991, the Japanese series follows children between the ages of 1 and 6 on simple errands. Sometimes kids are tasked with picking up one or two items from a store. Other times, they visit a relative or place an offering at a local shrine. They often pick up the wrong items and lose their way, but watching these tiny humans problem solve in a safe environment (camerapeople are close by, the townspeople are informed of the errands ahead of time, and Japan is famously safe) is part of the appeal. The show has been airing for so long that a former <\/span><i><span style=\"font-weight: 400\">Old Enough! <\/span><\/i><span style=\"font-weight: 400\">participant sent their own child on an errand for the show. The series offers international viewers a look into Japan\u2019s culture of community. Plus, it\u2019s super cute.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">Where to Watch:<\/span><\/i><a target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.netflix.com\/title\/81506279\" data-lasso-id=\"2734778\"><span style=\"font-weight: 400\"> Netflix<\/span><\/a><\/p>\n<p>\u00a0<\/p>\n<p>\t\t\t\t<img decoding=\"async\" itemprop=\"image\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/04\/Love_is_Blind__Sweden_u_S2_E8_00_41_21_22.jpg?quality=80&amp;w=970\" alt=\"Welcome to the Golden Age of International Reality TV\" style=\"display:none;width:0;\"\/><\/p><\/div>\n<p><script>\n\t!function(f,b,e,v,n,t,s)\n\t{if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n\t\tn.callMethod.apply(n,arguments):n.queue.push(arguments)};\n\t\tif(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n\t\tn.queue=[];t=b.createElement(e);t.async=!0;\n\t\tt.src=v;s=b.getElementsByTagName(e)[0];\n\t\ts.parentNode.insertBefore(t,s)}(window, document,'script',\n\t\t'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n\tfbq('init', '618909876214345');\n\tfbq('track', 'PageView');\n<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Clockwise from top left: Love Is Blind Japan, Singles Inferno and Love Is Blind Sweden. Courtesy of Netflix For the past few years, scripted television shows have been stuck in a rut, with critics declaring \u201cThe Golden Age of TV\u201d all but dead. The New York Times, The Economist\u00a0and even the creator of The Sopranos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3890,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-3889","post","type-post","status-publish","format-standard","has-post-thumbnail","category-usa-news"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/3889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/comments?post=3889"}],"version-history":[{"count":1,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/3889\/revisions"}],"predecessor-version":[{"id":3891,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/posts\/3889\/revisions\/3891"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/media\/3890"}],"wp:attachment":[{"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/media?parent=3889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/categories?post=3889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nationalgunowner.org\/index.php\/wp-json\/wp\/v2\/tags?post=3889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}